Sonya Philip's 100 Acts of Sewing, Pants No. 1, pattern review




Pants, I love them, wear them every day. I lounge in them, work in them, Zumba in them, ski in them, socialize and play in them. But the thought of making them...... gives me the shivers! Pants are so difficult to fit. After putting all the effort into sewing them, will I be lucky enough to have a pair that I actually would wear and be comfortable in? For me, patterns for pants are complicated. There are rises, snaps or buttonholes, waistbands, and pleats or darts, oh my goodness. It's enough to have me turning the page with a sigh and a shrug. But I am not one to give up. I knew there HAD to be a pattern out there that I could understand, complete, comfortably wear, and would actually look flattering on.

So when I was at Makers' Mercantile and spied the sweet and simplistic packaging of Sonya Philip's 100 Acts of Sewing, Pants No. 1 pattern, I stopped dead in my tracks. I said, "Rhonda, tell me about this pattern". Rhonda went on to explain that it was a very simple, straightforward pattern, and the pants looked very cute on. Just what I had been dreaming of! I purchased it, and went about giving it a go ASAP.




First off, look at this packaging. Doesn't it say ~ "These are wonderfully elementary, clear, unfussy, basic pants"? When I looked at the directions, my heart shouted "YES!" I could actually do this.




I probably should have made a muslin up first, but I had a feeling that all was going to work out, and besides, I wanted to use jersey fabric, which fits differently than a woven.

Normally I use Alabama Chanin's 100% organic cotton jersey fabric, but a friend of mine gave me some of her fabric to try (Thank you, Mary!) The fabric is from Organic Cotton Plus. All of their fabric is 100% organic, from the United States and abroad. They are the first fabric retailer in the U.S. to be fully GOTS (Global Organic Textile Standard) certified, which is no small feat. There are 48 companies in the US with the GOTS certification, including Burts Bees Baby and Williams-Sonoma, Inc.

I used their domestic baby rib in Shadow Blue. The fabric is not pre-washed, so I ran it through the washer and dryer. Their selvage was about an inch or so of tighter woven fabric, and it didn't lay completely flat, so I cut it off. Once the fabric was properly prepped, it handled like a charm. It was easy to work with and laid out nicely.

My next step was to copy my size from the pattern onto Pellon. The pattern calls for a 1/2" seam, and I opted for a 1/4" seam. All of the Alabama Chanin patterns use a 1/4" seam. It makes for a less bulky seam when using jersey fabric. I adjusted the pattern accordingly.




I was itching to completely embellish the pants, but since I wasn't sure of the fit yet, I decided to make do with a six inch trim at the cuffs. Using the Anna's Garden stencil and Tulip Colorshot in gray, I spray painted the pattern onto the bottom of the pant legs. I had some navy lightweight fabric leftover from the Marcy Tilton pants I had made previously. I placed it behind the stenciled area with a one inch "ribbon" peeping out past the very bottom edge. I figured if the pants were too long, I could always cut it off. I'm so glad I did put the extra length on, because now they're perfect. I'm pretty short, so I'd say the pants unaltered are more of a cropped nature.




I embellished the trim in the reverse applique method.




I then stitched the pieces together, felling all the seams. Since the fabric is jersey, there's no need to finish the seams. I made the waistband, adding a top stitch 1/8" from the very top, and using a draw string instead of elastic.




I will definitely make more of these pants.  This pair stitched up in less than ten hours, embellishment and all. They fit well and are comfy. They are very roomy, which is great for cozy, lounge wear. I think I'll cut the pattern down by an inch or two in the top half of the pattern to make it just a tad more tailored when I make my fully embellished pair in black on black. See, I'm already thinking ahead! I've been so wanting to make some pants, but was just waiting for the right pattern, and now I've found it. Thank you, Sonya for making this fantastic pattern. I have a feeling I'll be trying even more of your patterns in the future.

Now where did I put that black fabric.......







Art Makers Denver

I am so excited to be part of the fantastic offerings at Art Makers Denver, September 24-26, 2017. Have a look at the lineup. I wish I could take every, single one of the classes being offered!

On days one and two, September 24 & 25, I will be teaching Cut, Stencil, Stitch from Scratch. Have you ever wanted to create your own beautiful, flattering, comfortable clothing?









These examples are just the tip of the iceberg.

Join me in this exciting two-day workshop as you cut, stencil and hand stitch your very own Alabama Chanin inspired garment from scratch. Using your Alabama Chanin master pattern and Pellon, you will make your sized pattern, then cut your garment from Alabama Chanin’s most wonderful organic cotton jersey fabric.




Next we’ll have fun with spray paint as you stencil your garment and a small sewing sampler with fabric paint.




The second day you’ll practice hand stitches and techniques on your sewing sampler, then progress to stitching your garment. 




During this two-day workshop we’ll talk about tips and hints for a smooth sewing experience. You’ll learn about cutting fabric, stenciling, stitches, techniques, and construction. You will not have a completed project at the end of the workshop, but you will have gained key hands-on experience to complete this and other beautiful, heirloom hand stitched projects. 




You may choose from these projects:

From the Alabama Stitch Book - corset, shawl, swing skirt
From  Alabama Studio Style - camisole top, tank top
From Alabama Studio Sewing and Design - T-shirt top (sleeveless, cap, short sleeved), bolero, fitted top, fitted tunic, short fitted skirt, mid-length fitted skirt

All books are by Natalie Chanin, and available at www.amazon.com  or www.Alabamachanin.com.


Once you are registered with Art Makers Denver, contact me by August 21st, 2017 with your project and color choices. I’m here to help you with any and all questions you may have. Your kit fee is $87, and is payable at the beginning of class.

The only thing you need to bring with you to class is your Alabama Chanin paper pattern with corresponding book and fabric scissors. I will supply everything else, including Pellon (1 yard), Alabama Chanin organic mid-weight fabric (2 yards), foldover elastic (if applicable), 4 spools of thread, fabric for your sewing sampler. During class you will also have the use of:  Clover chalk, spray fabric paint, assorted stencils, spray adhesive, paper, rags, pins, healing mat, rotary cutter, rulers, assorted scissors, needles, etc.


On day three of the retreat, September 26th, 2017, I will be offering my one-day workshop, Hand Stitching and Embellishing, The Alabama Chanin Way. The Alabama Chanin Way offers a fresh take on age-old hand stitching techniques. Join me in exploring these techniques, such as applique and reverse applique. We'll discuss different types of stitches, from the running stitch to elaborate embroidery stitches, and their applicable uses. I'll go over the physics of sewing and tips and tricks to help make for a smooth, successful sewing experience. We'll touch on materials, beading, couching; and you'll learn garment construction.


Your tea towel kit, cut from 100% domestic organic cotton, will be your sewing sampler to learn and practice different hand stitching techniques during class.


As an added option, you may bring your own Alabama Chanin DIY kit purchased through Alabama Chanin to class, and I will help you get started on it. Here are a couple examples of what you might choose.


You will not have a finished project at the end of class, but you will have the knowledge to complete your tea towel, to create projects of your own, and to hand stitch beautiful heirloom creations.

After registering for class, contact me by August 21st, 2017 to choose your color and stencil design for your tea towel sewing sampler. The class kit fee is $20, payable at the beginning of class. It will include your cut and stenciled tea towel kit, thread, pins, and needle. You will have use of scissors and rulers during class. It's recommended to have one (or more!) of the Alabama Chanin books as a reference. These books are available at Amazon or  Alabama Chanin.

You'll enjoy how portable these projects are. Since this is all hand stitching, there's no sewing machine required. These classes are suited for beginning and experienced sewers alike.

Art Makers Denver will be providing a catered lunch each day of the workshops. Please contact Art Makers Denver for complete details or contact me with any questions you might have.

I hope you can join us for this inspiring, technique-packed two-day workshop or for my one-day class, Hand Stitching and Embellishing, The Alabama Chanin Way, where you'll meet new friends, enjoy the creative vibe of downtown Denver, all while learning how to create your own beautiful Alabama Chanin styled clothing.



Chihuly and other Tacoma treats




Last weekend I was fortunate to travel up to Washington, catch up with a dear friend, teach some really fun classes, and visit a place I've wanted to see since I knew of its existence, The Museum of Glass.

Rhonda and the staff at Makers' Mercantile were again amazing! I really wish I lived closer, because the ambiance of the shop and everyone involved, the employees, the customers, the food from Riley Cakes, the merchandise, the vibe, contagious camaraderie, just everything about the place is fantastic. Please open one in Bend!!!! A girl can hope; right?





It was so nice to see familiar faces and meet new friends while we cut, painted, and stitched our own side slouch bags and then on Sunday we focused on the couching technique.
















 I was so impressed with all the handiwork I saw.





Thank you Rhonda and Charlie for being the most gracious hosts and welcoming me into your lovely home. There were some wonderful meals out on the town, just a short walk away. We strolled over the Chihuly Bridge of Glass, a 500-foot-long pedestrian overpass that links the Museum to downtown Tacoma.

"Three distinct installations comprise the Chihuly Bridge of Glass.  Furthest from the Museum is the Seaform Pavilion, a ceiling made of 2,364 objects from Chihuly's Seaform and Persian series. Placed on top of a fifty-by-twenty-foot plate-glass ceiling, the forms are suspended in midair and make dramatic use of natural light. As visitors walk under this pavilion, they experience a seemingly underwater world of glass shapes and forms a few feet above their heads.
Marking the center of the bridge are the Crystal Towers, which rise forty feet above the bridge deck and serve as beacons of light for the Chihuly Bridge of Glassbridge and city. Illuminated from below, the forms glow at night. The 63 large crystals in each tower are made from Polyvitro, a polyurethane material developed to withstand the elements. The Crystal Tower elements are raw, brutal forms, monumental and bold, that appear as if cut from mountain peaks or taken from frozen alpine lakes.
Closest to the Museum is the Venetian Wall, an eighty-foot installation displaying 109 sculptures from three of Chihuly's series: Venetians, Ikebana, and Putti. The Venetians are exuberant sculptures with origins in Venetian Art Deco glass. Ikebana are quiet pieces, created in the spirit of traditional Japanese floral arrangements. Putti were popular figures in European art of the sixteenth and seventeenth centuries and represent Cupid, the Roman god of love. The Venetian Wall is a collection of some of the largest blown-glass works executed in the history of the medium."
What an utter work of wonderment! And we spied even more works of Chihuly glass art through the windows of the Union Station courthouse.  As if all this weren't enough, I also feasted my eyes on the amazing works at the Glass Museum.

























Have you guessed that these were part of the "Into the Deep" exhibition?

















Be still my beating heart. I could have spent all day....no, all weekend there! I guess that means I'll just have to come back again!