Stash Busting Throw

Over the years I've collected quite the stash of bits and bobs, smallish stenciled swatches, leftover applique pieces, assorted spools of embroidery floss half gone, and scraps that aren't quite big enough for a garment but are too large to throw away. What is a girl to do with all these jumbled remnants? Make a throw, a crazy quilt, using as much of it as I can!

The idea first sparked when I noticed that a good portion of my stash colors were in line with the palette I was choosing for my new home. I started a Pinterest board, Cozy Throw, and added anything that piqued an idea or mood. Check it out to see what inspired me.

It became a game, a challenge to see just how much I could use without cutting into my good yardage. I was delighted to see some really nice pieces as I was digging deeper and deeper into the rabbit hole. Ultimately, I did cut some squares out of my whole cloth, but more than half of the throw is from odds and ends.

The key to a cohesive look is sticking to a color palette ~ white, natural, pewter, suede, and deep. This throw would be three rows, each row would be 16" wide. I cut out as many 16" pieces as I could from my stash. Some pieces were 16" x 16", some 16" x 10", some 16" x 6", some even smaller, etc.  Then I cut out an assortment of 16" shapes from my yardage, creating swatches of two layers, one width being 16".

I stitched any existing stenciled pieces into swatches. I then laid these out on the ground and started adding the unstenciled pieces.

These were all pieces I had previously stenciled, just languishing in the bottom of a box. All I needed to do was cut a coordinating under layer for each and stitch them up.

I experimented with placement; top and bottom layered colors; switched colors so they flowed; kept in mind that the bottom colors would be visible in the final embellished pieces. I also thought about paint colors, thread and embroidery colors, and how different stencils would show more or less or none of the bottom layer, and how the design of the stencils worked throughout the quilt. I played and fiddled until I achieved a balanced and pleasing arrangement.

I pinned a note with a number for placement, stencil idea, paint color, thread and floss color, and in some cases the technique I would use. I took photos along the way so I wouldn't lose an order that I liked. The process is very loose. I'm not a very exact type of worker, and the freedom to switch something out is how I roll. I didn't know if each finished row would be equal in length.

I had extra pieces that I could add, lengthening or shortening a row if needed.

These pieces would be a ruffle (to add to the length) or a swatch like the one above with blank edges that can easily be cut down (to decrease the length).

Here the ruffle is worked into the quilt. I added a smaller ruffle onto the darker swatch to blend it into the whole better.

These type of swatches can be easily cut to any length, and thus great for filling in. I learned this little trick when I was making the flag quilt last year.

You can read all about the Traveling Veterans quilt here.

This swatch is actually some extra stenciling for applique that I did on this top.

Yes, the stenciling is on the wrong side, but this is a stash busting quilt, and I really wanted to use this piece. It fits in wonderfully.

It needed a little something extra, so I stitched a lovely saying onto it, "Shine like the whole universe is yours" by Rumi.

I placed a piece of tracing paper over the completed swatch. This tracing paper has been lying around our house for decades! It always stops me in my tracks to realize I now talk about time in not just years, but decades. I know it's been around that long because one of my kiddos decided to take a highlighter and scribble on each and every one of the pages. I love this little "memento" of stages gone by.

So.....I placed the tracing paper over the swatch and made a line and then wrote the words out. I made sure the spacing was good and not to misspell anything. I used an erasable pen and poked tiny holes through the paper to make a shadow of the words. Then I used a light gray Sharpie to trace over everything. I didn't know if I would get the stitching complete before the washable ink started to disappear.

You can see I really like using variegated floss. I used it on these swatches and more.

The upper portion shows the Alabama Chanin Daisy swatch after cutting out some of the top layer; and the bottom portion shows the swatch before it is cut.

Above is the Alabama Chanin facets stencil. The top picture is the right side, and just above is the back side. Below is the Alabama Chanin fern stencil.

This medallion stencil I picked up years ago at Michael's. I needed something geometric amongst all the flowery designs.

Next up is the Alabama Chanin Climbing Daisy stencil. It's one of my favorites to look at, though not my favorite to stitch! 

Isn't it a beautiful design? I was going to use my cream embroidery floss for the stems, but by the time I got around to sewing this swatch I had used it all up. I also noted that adding dark gray would be nice. I found this pretty ribbon and couched it on for the stems.

I love the Alabama Chanin cotton gauze tape used for the petals. I knew I had a supply of white, but when it came time to stitch them, I couldn't find it anywhere! I was going to order more, but since I was in Portland visiting my fiber-geek friend, a little ribbon hunting was a fun adventure. Search as we may, though, it was nowhere to be found. I did discover a light gray cotton tape that was similar, so I made do with that. Of course, once I returned home with an almost completed swatch, I found my huge stash of white ribbon......right in front of me in the large wooden bowl near my cozy couch. Go figure.

Ribbon tape tips that I learned from Diane Hall at Alabama Chanin. Get a HUGE needle, and then find one even bigger. To make a petal, sew up from under the fabric. Then, instead of just sewing straight down through the fabric, bring the needle over the tape, and then sew down through the ribbon and the fabric. This should make the stitch look more petal like. If you pull it too tightly, you'll lose the effect. Ribbon sewing is still difficult, but this helped me.

Because it lends itself well to home decor and it's so quick to stitch up, I stenciled three swatches with the Alabama Chanin Paisley stencil.

Here's the poppy stencil I created for my yellow dress. You can read more about that here.

This is the Alabama Chanin Bloomers stencil. I appliqued an extra poppy in the middle because it needed a little pop of white to break up the expanse of darker fabric.

I stitched the last row onto the quilt while at Sit n Stitch this month. I love getting together with my stitching pals to see what they're up to. The next step was to blanket stitch the entire edge.

And Voila! The Stash Busting Throw is complete.

And the reverse side.... also pretty.

And here's my cozy stitching chair with the throw ready to warm me up on a chilly night while stitching on my next project.

What projects will you be stitching up this summer?

UnBag Bend

Plastic one-use bags, I have a love-hate relationship with them. I've been trying for years to kick the habit, and am about 60-70% of the way there. Realistically, the best way to be free of these environmentally unfriendly things is to ban them. There are many places all over the world that have already done so. That's why I was so excited to learn of UnBag Bend. It's an initiative to ban one-use plastic bags here in Bend, Oregon.

UnBag Bend has been making reusable bags from old t-shirts to help educate and spread the word. Today a few friends gathered with their sewing machines, and we stitched up about 200 bags from recycled t-shirts. These bags will be distributed throughout the Bend area. In each bag will include information about the UnBag Bend project.

If you have extra, unused t-shirts, just cut off the arms, leaving the arm/shoulder seam intact on the t-shirt, and cut off the neckband. Make the top (neck) opening large enough to be able to take things in and out of your bag. Then sew the bottom hem of the shirt together. We took four passes on the sewing machine to make sure the bottom of the bag was nice and strong. No need to sew the arm or neck area, as t-shirt fabric does not ravel or fray.

I hope you'll make some of your own reusable bags. They're quick and easy and so very useful.

For more information about UnBag Bend, here is the UnBag Bend Facebook link and a link to an article in the Bend Bulletin and an article in The Source. Check it out!


April showers bring May flowers. Not only is May a welcoming to Spring, it is also the month of #memademay. The #memademay movement is a great way to bring attention to hand making and slow fashion. Plus it's great fun to see what everyone is creating and an opportunity to show our own hand made goodies.

I'm going to post my #memademay outfits with details and links. I hope you'll join in and use the #memademay hashtag to post your own handiwork!

MAY 1:

I wore this outfit with black Converse tennies and my charcoal gray Patagonia down sweater. It was a chilly day.

I had access to this polo pattern during my Individual Studio Day at Alabama Chanin. I used black jersey fabric under and I believe midnight over. It's the Little Folks stencil, backstitched with DMC variegated embroidery floss and a few matte grey sequins.

The sequins are stitched over, with two French knots spaced between. They're a little difficult to see.

This is the Alabama Chanin Factory dress pattern (more details here), done in a single layer of wet paint stenciled fabric that I made. More about wet paint stenciling here.

MAY 2:

I wore grey wool felted Haflinger clogs with this outfit.

This crisscross top I also cut out at my Individual Studio Day. I had originally made it with Apple colored jersey on top and a hot pink underneath. Big mistake! It turned out looking like Strawberry Shortcake to me, something a two year old would wear. I was ready to give it away, when I thought I'd try to overdye it in black. It's not black, but I'm so happy with the results. It even goes perfectly with this single layered, lightweight plum colored Alabama Chanin fitted top.

This is the fitted t-shirt pattern with a v-neck modification.

Here's some detail of the rosebud stitch done in slate thread.

MAY 3:

This is the Alabama Chanin Factory dress in the Magdalena stencil, dusk over sand (or parchment). I wore it with an older Cabi top and my wool clogs. You can see more details on the dress here.

MAY 4:

It was a loungy sort of day, so I wore these pants. You can read more details about these Sonya Philips pants here.

MAY 5:

This is my very first hand stitched item I made. It's the Alabama Chanin fitted tank made from my husband's old t-shirt. It's one of my favorite go-to tops. Today I'll be working out in the yard, so I'll be wearing this with an old pair of pants and gardening clogs (so fashionable :).

MAY 7:

It was a hot day and I wanted to wear this yellow dress (full story here) with sandals, but my summer shoe box was still stored high up on a shelf, and none of our ladders could be found, so I spied an old pair of Toms cream colored lace shoes that belonged to my daughter and borrowed them for the day.

MAY 12:

Oh boy, I was so busy this past week, this is the only photo I took. It's my hand stitched fitted Alabama Chanin skirt in the color suede (more info here) and a "new" repurposed blouse I scored at one of my favorite local haunts, Cowgirl Cash. Rebecca always has something special in her shop! I wore my favorite brown short boots with this outfit.

MAY 16:

MAY 17:

I'll add more to this post as the month progresses.

What are YOU wearing for #memademay?